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Carlo Dolci 1616-1686
Italian
Carlo Dolci Locations
Italian painter. The major Florentine painter of the 17th century, he enjoyed an international reputation in his own lifetime. He was a gifted portrait painter and painted a number of large altarpieces, but his reputation is largely based on his half-length, single-figure paintings, characterized by their intense religiosity and meticulous technique. His mature style was complex and sophisticated. Intended for cultivated and aristocratic circles, his was never a popular art in any sense. Baldinucci described the painter tormented fantasy and dark fantasms, and his disturbed personality is evident throughout his work after the later 1640s.
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Painting ID:: 978
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Carlo Dolci Self Portrait_i 1674
Galleria degli Uffizi, Florence
Painting ID:: 979
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Carlo Dolci Vase of Flowers 1665-75
Galleria degli Uffizi, Florence
Painting ID:: 980
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Carlo Dolci Portrait of Ainolfo de' Bardi 1632
Galleria degli Uffizi, Florence
Painting ID:: 981
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Carlo Dolci Magdalene 1660-70
Galleria degli Uffizi, Florence
Painting ID:: 43093
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Carlo Dolci The Adoration of the Kings mk170
1649
Oil on canvas
117x92cm
Painting ID:: 83227
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Carlo Dolci Angelo annunciante o/tl, 52 x 40 cm, Louvre Paris
Date XVII s.
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Carlo Dolci
1616-1686
Italian
Carlo Dolci Locations
Italian painter. The major Florentine painter of the 17th century, he enjoyed an international reputation in his own lifetime. He was a gifted portrait painter and painted a number of large altarpieces, but his reputation is largely based on his half-length, single-figure paintings, characterized by their intense religiosity and meticulous technique. His mature style was complex and sophisticated. Intended for cultivated and aristocratic circles, his was never a popular art in any sense. Baldinucci described the painter tormented fantasy and dark fantasms, and his disturbed personality is evident throughout his work after the later 1640s.
